Weaving appeals to my love of problem-solving, geometry, and order.

My background as a painter informs my approach to textiles. Rather than applying a pattern or image to a separate surface, the weaving process itself creates the finished object through the interplay of intersecting threads. On the loom, lines transform into a plane; once off the loom, that plane evolves into a three-dimensional work of art.

Textiles hold profound significance as an artistic medium, steeped in history and cultural heritage. This craft has long been associated with women and the working class, whose labor has shaped its evolution and complexity. This legacy enriches my work, adding depth to each piece I create.

Furthermore, textiles evoke powerful memories of softness and warmth, fostering a sensory connection to my art. I am fascinated by the tension between the precise nature of traditional handweaving and the dynamic qualities of unconventional materials and improvisational processes, allowing me to explore both history and personal experience in my work.